MONOVA.ORG » npto

Eagles - Eagles - 1972 Atlantic, Asylum Records, SD-5054, Original 1-st US Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side one 01. "Take It Easy" Jackson Browne, Glenn Frey 3:34 02. "Witchy Woman" Don Henley, Bernie Leadon 4:14 03. "Chug All Night" Glenn Frey 3:18 04. "Most of Us Are Sad" Glenn Frey 3:38 05. "Nightingale" Jackson Browne 4:08 Side two 01. "Train Leaves Here This Morning" Gene Clark, Bernie Leadon 4:13 02. "Take the Devil" Randy Meisner 4:04 03. "Earlybird" Bernie Leadon, Randy Meisner 3:03 04. "Peaceful Easy Feeling" Jack Tempchin 4:20 05. "Tryin'" Randy Meisner 2:54 CreditsΓû╝ Vocals, Bass ΓÇô Randy Meisner Vocals, Drums ΓÇô Don Henley Vocals, Guitar, Banjo ΓÇô Bernie Leadon Vocals, Guitar, Slide Guitar ΓÇô Glenn Frey Art Direction, Design ΓÇô Gary Burden Photography By ΓÇô Henry Diltz Producer, Engineer ΓÇô Glyn Johns NotesΓû╝ (P) 1972 Asylum Records First issue white Asylum labels, non-gatefold jacket. Custom inner sleeve. Also labeled as SD 5054. Produced and engineered at Olympic Sound Studios (London, England). Mastering: The Mastering Lab (Los Angeles, CA, USA). Vinyl Ripping Process/Equipment VPI 16.5 RCM Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II loaded at 121 ohms Phono Stage: Musical Surroundings Phonomena Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II What Exactly Is An "Ultimate Master" It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain. I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.

Emerson, Lake & Palmer - Emerson, Lake & Palmer - 1970 Island Records, ILPS-9132, Original UK Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side one 01 - "The Barbarian" (Béla Bartók, arr. Emerson, Lake & Palmer) – 4:27 02 - "Take a Pebble" (Lake) (arr. Emerson, Lake & Palmer, but not always credited) – 12:32 03 - "Knife-Edge" (Leoš Janáček & J. S. Bach, arr. Emerson, lyrics by Lake & Fraser) – 5:04 Side two 04 - "The Three Fates" (Emerson) – 7:46 a) - "Clotho" Royal Festival Hall Organ b) - "Lachesis" Piano Solo c) - "Atropos" Piano Trio (overdubbed pianos and percussion) 05 - "Tank" (Emerson & Palmer) – 6:49 06 - "Lucky Man" (Lake) – 4:36 Drums, Percussion – Carl Palmer Keyboards – Keith Emerson Vocals, Bass, Guitar – Greg Lake Companies etc Recorded At – Advision Studios Printed By – E.J. Day Group Manufactured By – E.J. Day Group Credits Arranged By, Directed By – Emerson, Lake & Palmer Engineer – Eddie Offord* Painting [Cover Painting] – Nic Dartnell Producer – Greg Lake Notes Initial release on a pink Island label, this changed soon after release to the Pink-Rim version Recorded at Advision. Produced by Greg Lake For E. G. Records Barcode and Other Identifiers Matrix / Runout (A Side Etched): IPLS 9132 A-2 Matrix / Runout (B Side Etched): IPLS 9132 B-1 Vinyl Ripping Process/Equipment VPI 16.5 RCM Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II loaded at 121 ohms Phono Stage: Musical Surroundings Phonomena Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II What Exactly Is An "Ultimate Master" It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough named rips now I guess I should explain. I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don\'t mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don\'t subscribe to the notion that they represent the best source 95% of the time.

Billy Cobham - Spectrum - 1973 Atlantic, SD 7268, Original US Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side 1 A1 - Quadrant 4 (4:18) A2a - Searching For The Right Door (1:19) Soloist [Uncredited], Drums [Uncredited] ΓÇô Billy Cobham A2b - Spectrum (5:07) Congas ΓÇô Ray Barretto, Double Bass [Acoustic Bass] ΓÇô Ron Carter Flugelhorn ΓÇô Jimmy Owens, Flute, Soprano Saxophone ΓÇô Joe Farrell A3a - Anxiety (1:40) Soloist [Uncredited], Drums [Uncredited] ΓÇô Billy Cobham A3b - Taurian Matador (3:03) Side 2 B1a - Stratus Part 1 (2:58) B1b - Stratus Part 2 (6:50) B2a - To The Women In My Life (0:48) Soloist [Uncredited], Piano [Uncredited] ΓÇô Jan Hammer B2b - Le Lis (3:17) Alto Saxophone ΓÇô Joe Farrell, Congas ΓÇô Ray Barretto Double Bass [Acoustic Bass] ΓÇô Ron Carter Flugelhorn, Trumpet ΓÇô Jimmy Owens, Guitar ΓÇô John Tropea B3a - Snoopy's Search (1:00) Soloist [Uncredited], Synthesizer [Uncredited] ΓÇô Jan Hammer B3b - Red Baron (6:37) Companies etc Recorded At ΓÇô Electric Lady Studios Remixed At ΓÇô Trident Studios Phonographic Copyright (p) ΓÇô Atlantic Manufactured By ΓÇô Atlantic Recording Corporation Phonographic Copyright (p) ΓÇô Atlantic Recording Corporation Copyright (c) ΓÇô Atlantic Recording Corporation Mastered At ΓÇô Atlantic Studios Pressed By ΓÇô Presswell Credits Bass Guitar [Fender Bass] ΓÇô Lee Sklar* (tracks: A1, A2b, A3b to B1b, B3b) Electric Piano, Piano, Synthesizer [Moog] ΓÇô Jan Hammer (tracks: A1, A2b, A3b to B1b, B3b) Guitar ΓÇô Tommy Bolin (tracks: A1, A2b, A3b to B1b, B3b) Percussion ΓÇô Billy Cobham Design [Album Design] ΓÇô Stanislaw Zagorski Engineer [Recording & Re-mix] ΓÇô Ken Scott Painting [Cover] ΓÇô Jeff Snider (2) Photography By [Backliner Photo] ΓÇô Armen Kachaturian Photography By [Inside Liner Photo] ΓÇô Urve Kuusik Written-By, Producer ΓÇô William E. Cobham Jr.* Notes Recorded at Electric Lady Studios, New York, N.Y. Re-mixed at Trident Studios, London, England Produced for Bilham Cobly Productions, Inc. (P) ┬⌐ 1973 Atlantic Recording Corporation Printed in U.S.A. (P) 1973 Atlantic Mfg by Atlantic Recording Corp., 75 Rockefeller Plaza, N.Y., N.Y. [W logo] A Warner Communications Company Note: the personnel is credited globally, but preludes A2a, A3a, B2a and B3a are solo performances. Barcode and Other Identifiers Matrix / Runout (label A): ST-A-732895 PR Matrix / Runout (label B): ST-A-732896 PR Matrix / Runout (runout A): ST-A-732896-A AT PR Matrix / Runout (runout B): ST-A-732896-C AT PR-P Other (price code, spine): 05987 Vinyl Ripping Process/Equipment Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II

Free - Highway - 1970 Island Records, ILPS-9138, Original UK Pressing, Reissue LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side 1 01. "The Highway Song" 4:14 02. "The Stealer" (Fraser/Rodgers/Kossoff) 3:14 03. "On My Way" 4:04 04. "Be My Friend" 5:45 Side 2 05. "Sunny Day" 3:07 06. "Ride On A Pony" 4:17 07. "Love You So" (Rodgers/Kirke) 4:54 08. "Bodie" 3:05 09. "Soon I Will Be Gone" 3:01 Credits Design ΓÇô C.C.S. Advertising* Engineer ΓÇô Andy Johns Producer ΓÇô Free Written-By ΓÇô Fraser* (tracks: A1 to B2, B4, B5), Rodgers* Notes Reissue on Island label with green palm tree, orange background and blue rim. Sleeve: "Printed in England by Robor Limited" Barcode and Other Identifiers Matrix / Runout (A-Side Runout, Stamped): ILPS 9138 A-1U Matrix / Runout (A-Side Runout, Etched): I-8 Matrix / Runout (B-Side Runout, Stamped): ILPS 9138 B-1U Matrix / Runout (B-Side Runout, Etched): I-II Vinyl Ripping Process/Equipment Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II

Hard Stuff - Bulletproof - 1972, Bolex Dementia- 1973 2LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Bass Guitar, Vocals, Piano, Producer ΓÇô John Gustafson (The Merseybeats, Roxy Music, Ian Gillan Band) Drums, Producer ΓÇô Paul Hammond (Atomic Rooster, Intellektuals) Guitar, Vocals, Producer ΓÇô John Du Cann (Andromeda, Atomic Rooster) 1972 - Bulletproof (Purple Records, TPSA 7505, Original UK Pressing) Side 1 01 - "Jay Time" (John Du Cann) ΓÇô 2:50 02 - "Sinister Minister" (John Gustafson) ΓÇô 3:30 03 - "No Witch at All" (Gustafson) ΓÇô 5:38 04 - "Taken Alive" (Gustafson) ΓÇô 3:14 05 - "Time Gambler (Rodney)" (Du Cann) ΓÇô 6:11 Side 2 06 - "Millionaire" (Du Cann) ΓÇô 6:04 07 - "Monster in Paradise" (Gustafson, Ian Gillan, Roger Glover) ΓÇô 4:33 08 - "Hobo" (Du Cann) ΓÇô 3:25 09 - "Mr. Longevity ΓÇô RIP" (Gustafson) ΓÇô 4:35 10 - "The Provider ΓÇô Part One" (Du Cann) ΓÇô 2:31 1973 - Bolex Dementia (Mercury, SRM-1-663, Original US Pressing) Side 1 01 - "Sick n' Tired" ΓÇô 4:04 02 - "Mermany" ΓÇô 5:58 03 - "Jumpin' Thumpin' (Ain't that Somethin')" ΓÇô 2:55 04 - "Dazzle Dizzy" ΓÇô 3:41 05 - "Bolex Dementia" ΓÇô 3:41 Side 2 06 - "Roll a Rocket" ΓÇô 5:19 07 - "Libel" ΓÇô 3:58 08 - "Ragman" ΓÇô 3:01 09 - "Spider's Web" ΓÇô 4:55 10 - "Get Lost" ΓÇô 3:01 Vinyl Ripping Process/Equipment VPI 16.5 RCM Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II What Exactly Is An "Ultimate Master" It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain. I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.

Journey ΓÇÄΓÇô Journey - 1975 CBS 80724, Holland LP, Vinyl Rip, 24/96, FLAC (image+.cue) Rip by Sloway Side A 01 - Of A Lifetime (06:56) 02 - In The morning Day (04:29) 03 - Kohoutek (06:45) Side B 04 - To Play Some Music (03:22) 05 - Topaz (06:13) 06 - In My Lonely Feeling / Conversations (05:01) 07 - Mystery Mountain (04:28) Companies etc Phonographic Copyright (p) ΓÇô CBS Inc. Manufactured By ΓÇô CBS Records Credits Bass Guitar, Piano, Vocals ΓÇô Ross Valory Drums ΓÇô Aynsley Dunbar Keyboards, Lead Vocals ΓÇô Gregg Rolie Lead Guitar, Vocals ΓÇô Neal Schon Rhythm Guitar ΓÇô George Tickner Art Direction ΓÇô Nancy Donald Performer ΓÇô Aynsley Dunbar, George Tickner, Gregg Rolie, Neal Schon, Ross Valory Photography By [Cover] ΓÇô Steven Silverstein Producer ΓÇô Roy Halee Notes Produced for Spreadeagle Productions, a Division of Herbert & Bramy, Inc. (P) 1975 CBS Inc. / Manufactured by CBS Records / CBS is a trademark of CBS Inc. Printed in Holland Barcode and Other Identifiers Rights Society: BIEM/STEMRA from KAB, tracking - 1.00 Gram Turntable - Optonica 7100 PHONO PRE.Amplifier - SLOWAY PPA 902 MM/MC Audio Adapter - Creative Sound Blaster X-Fi Xtreme Audio Program - Creative MediaSource 5 Converter - FairStars Audio Converter Pro Computer - ASUS Formula MAXIMUS, Intel Core (TM) 2 Duo E8600

Journey - Departure - 1980 Columbia ΓÇô AL36339, Original US Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side 1 01. "Any Way You Want It" Steve Perry, Neal Schon 3:22 02. "Walks Like a Lady" Perry 3:17 03. "Someday Soon" Perry, Gregg Rolie, Schon 3:32 04. "People and Places" Perry, Schon, Ross Valory 5:05 05. "Precious Time" Perry, Schon 4:49 Side 2 06. "Where Were You" Perry, Schon 3:01 07. "I'm Cryin'" Perry, Rolie 3:43 08. "Line of Fire" Perry, Schon 3:06 09. "Departure" Schon 0:38 10. "Good Morning Girl" Perry, Schon 1:44 11. "Stay Awhile" Perry, Schon 2:48 12. "Homemade Love" Perry, Schon, Steve Smith 2:54 Credits Bass, Synthesizer [Bass Pedals], Vocals ΓÇô Ross Valory Drums, Percussion ΓÇô Steve Smith (5) Guitar, Vocals ΓÇô Neal Schon Keyboards, Harmonica, Vocals ΓÇô Gregg Rolie Lead Vocals ΓÇô Steve Perry Engineer [Second] ΓÇô Ken Kessie Engineer, Mixed By ΓÇô Geoff Workman Producer ΓÇô Geoff Workman, Kevin Elson Notes Γäù 1980 CBS Inc./ ┬⌐ 1980 CBS Inc. Printed in Holland Cat# on label: AL 36339 Barcode and Other Identifiers Other (Rights Societies): BIEM/STEMRA Vinyl Ripping Process/Equipment Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | on Reverse | on Wavelet | x2 Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II

Journey - Escape - 1981 Columbia - TC 37408, Original US Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side 1 01. "Don't Stop Believin'" 4:11 02. "Stone in Love" 4:26 03. "Who's Crying Now" (Cain, Perry) 5:01 04. "Keep on Runnin'" 3:40 05. "Still They Ride" 3:50 Side 2 06. "Escape" 5:17 07. "Lay It Down" 4:13 08. "Dead or Alive" 3:21 09. "Mother, Father" (Matt Schon, Schon, Perry, Cain) 5:29 10."Open Arms" (Cain, Perry) 3:23 Credits Bass, Vocals ΓÇô Ross Valory Drums ΓÇô Steve Smith (5) Guitar, Vocals ΓÇô Neal Schon Keyboards, Guitar, Vocals ΓÇô Jonathan Cain Lead Vocals ΓÇô Steve Perry Artwork By [Illustration] ΓÇô Stanley Mouse Artwork By [Visual Concepts, Package Design], Photography ΓÇô Jim Welch Engineer [Assistant] ΓÇô Wally Buck Mastered By ΓÇô Bob Ludwig Producer ΓÇô Kevin Elson, Mike Stone Written-By ΓÇô J. Cain*, N.Schon* (tracks: A1, A2, A4 to B4), S. Perry* Notes Title also known as E5C4P3 Mastered at Masterdisk, Inc., New York Recorded and Mixed at Fantasy Studios, Berkeley, California All songs by S. Perry, N. Schon and J Cain, except "Who's Crying Now" and "Open Arms" by S. Perry and J. Cain, and "Mother, Father" by N. Schon, S. Perry, J Cain and M. Schon. For all songs: ┬⌐1981 Weed High Nightmare Music (BMI) All administrative rights controlled by Screen Gems - EMI Music Inc. All rights reserved, Used by permission. Vinyl Ripping Process/Equipment VPI 16.5 RCM Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II What Exactly Is An "Ultimate Master" It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain. I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.

Van Halen - Van Halen - 1978 Warner Bros. Records ΓÇô BSK 3075, Original US Pressing Promo LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side A 01. "Runnin' with the Devil" 3:36 02. "Eruption" (Instrumental) 1:43 03. "You Really Got Me" (Ray Davies) 2:38 04. "Ain't Talkin' 'bout Love" 3:50 05. "I'm the One" 3:47 Side B 01. "Jamie's Cryin'" 3:31 02. "Atomic Punk" 3:02 03. "Feel Your Love Tonight" 3:43 04. "Little Dreamer" 3:23 05. "Ice Cream Man" (John Brim) 3:20 06. "On Fire" 3:01 Credits Bass ΓÇô Michael Anthony (3) Drums ΓÇô Alex Van Halen Guitar ΓÇô Edward Van Halen* Vocals ΓÇô David Roth* Art Direction, Design ΓÇô Dave Bhang Coordinator [Production Coordinator] ΓÇô Beth Naranjo Engineer ΓÇô Donn Landee Engineer [Second] ΓÇô Kent Nebergall, Peggy McCreary Photography ΓÇô Elliot Gilbert Producer ΓÇô Ted Templeman Written-By ΓÇô Alex Van Halen (tracks: A1, A2, A4 to B4, B6), David Lee Roth (tracks: A1, A2, A4 to B4, B6), Edward Van Halen* (tracks: A1, A2, A4 to B4, B6), Michael Anthony (3) (tracks: A1, A2, A4 to B4, B6) Notes Recorded at Sunset Sound Recorders, Hollywood Mastered at Warner Bros. Recording Studios, North Hollywood A1, A2, A4 to B4, B6 Published by Van Halen Music - ASCAP A3 Published by Jay Boy Music Corp. - BMI B5 Published by Arc Music Corp. - BMI Γäù 1978 Warner Bros. Records Inc. Vinyl Ripping Process/Equipment Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | on Reverse | on Wavelet | x2 Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Resample/Dither redbook files using Izotope Rx2 default presets. Flac hi-rez files with Xrecode II

Craaft ΓÇÄ- Second Honeymoon - 1988 RCA - PL 71826, Germany LP, Vinyl Rip, 24/96, FLAC (image+.cue) Rip by Sloway Side A: 01 - Run Away (05:04) 02 - Twisted Up All Inside (04:07) 03 - Chance Of Your Life (04:36) 04 - Jane (05:32) 05 - Gimme What You Got (03:41) Side B: 06 - Running On Love (04:51) 07 - Hey Babe (04:47) 08 - Illusions (05:15) 09 - Don't You Know What Love Can Be (04:59) 10 - Are You Ready To Rock (04:49) Credits Bass [Additional] ΓÇô Ken Taylor Drums ΓÇô Thommy Schneider Drums [Additional] ΓÇô Curt Cress, Tommy Lee Guitar [Additional] ΓÇô Reinhard Besser Guitar, Backing Vocals ΓÇô Marcus Schleicher Guitar, Lead Vocals, Bass ΓÇô Klaus Luley Keyboards, Backing Vocals ΓÇô Franz Keil Engineer ΓÇô Andy Lunn, Erwin Musper, Michael Wagener Mixed By ΓÇô Michael Wagener Notes Has printed inner sleeve with lyrics on one side Barcode and Other Identifiers Barcode: 0 035627 182617 Label Code: 0316 1988 BMG Ariola Hamburg GmbH from KAB, tracking - 1.00 Gram Turntable - OPTONICA 7100 PHONO PRE.Amplifier - SLOWAY PPA 902 MM/MC Audio Adapter - Creative Sound Blaster X-Fi Xtreme Audio Program - Creative MediaSource 5 Converter - FairStars Audio Converter Pro Computer - ASUS Formula MAXIMUS, Intel Core (TM) 2 Duo E8600

Zebra ΓÇÄΓÇô Zebra - 1983 Atlantic Records ΓÇô 80054-1, Original US Pressing LP, Vinyl Rip, 24/192, FLAC (tracks+.cue) Rip by 0pp0 Side 1 01 - Tell Me What You Want (03:49) 02 - One More Chance (03:15) 03 - Slow Down (03:30) 04 - As I Said Before (02:56) 05 - Who's Behind The Door? (05:15) Side 2 06 - When You Get There (02:59) 07 - Take Your Fingers From My Hair (07:19) 08 - Don't Walk Away (03:34) 09 - The La La Song (06:09) Credits Bass, Keyboards, Vocals ΓÇô Felix Hanemann Drums, Percussion, Vocals ΓÇô Guy Gelso Keyboards ΓÇô Jack Douglas (tracks: B1) Lead Vocals, Guitar, Keyboards ΓÇô Randy Jackson (3) Percussion ΓÇô Jack Douglas (tracks: B1), Karen Alta (tracks: A3) Piano ΓÇô Mike Grossman (tracks: A3) Synthesizer [Prophet] ΓÇô Eric Troyer (tracks: B2) Engineer ΓÇô Rod O'Brien Engineer [Additional] ΓÇô Clay Hutchinson, David Farrell, Jack Douglas, Julie Last Engineer [Assistant] ΓÇô John Agnello Producer ΓÇô Jack Douglas Notes This record is a Columbia house record Club issue. CLEANING Spin Clean Machine / Vinyl Aerobics (patent pending) RECORDING Rega P3-24 W/TTPSU Audio-Technica Cartridge AT33EV Upgraded Rega Drive Belt (Cart @ 2g Phonostage @ 100 ohms) Dual Rega Felt Pads for VTA Project PhonoBox SE II E-MU 0204 USB 2.0 MSI i5 Quad Laptop Adobe Audition 3.0 @ 32-192 PROCESSING MSI i5 Quad Laptop Izotope RX Advance Manual Declick Izotope RX Advance Normalizing and dithering dBpoweramp 14.2 w/FLAC 1.21 (@lvl 5)for conversion and pic Tagging. Foobar 2000 1.1.8 w/discogs and DR report. ARTWORK Discogs

Blackmore's Night ΓÇÄΓÇô Secret Voyage - 2008 Steamhammer ΓÇô SPV 91781 2LP, Germany 2LP, Vinul Rip, 24/96, FLAC (tracks+.cue) Rip by SergeyVP Side 1 A1 - God Save The Keg (3:40) A2 - Locked Within The Crystal Ball (8:04) A3 - Gilded Cage (3:42) Side 2 B1 - Toast To Tomorrow (3:49) B2 - Prince Waldecks Galliard (2:13) B3 - Rainbow Eyes (6:01) Side 3 C1 - The Circle (4:48) C2 - Sister Gypsy (3:21) C3 - Can't Help Falling In Love (2:51) Side 4 D1 - Peasants Promise (5:33) D2 - Far Far Away (3:54) D3 - Empty Words (2:42) Companies etc Phonographic Copyright (p) ΓÇô Minstrel Hall Music Copyright (c) ΓÇô Minstrel Hall Music Distributed By ΓÇô SPV GmbH Credits Acoustic Guitar, Electric Guitar, Mandolin, Fiddle [Swedish], Hurdy Gurdy, Cello [Mandocello], Mandolin [Mandola], Tambourine, Percussion ΓÇô Ritchie Blackmore Lead Vocals, Backing Vocals, Oboe [Shawm], Recorder ΓÇô Candice Night Strings [Early Music Consort Various String Instruments], Producer ΓÇô Pat Regan Violin ΓÇô Gypsy Rose (2) Vocals ΓÇô Bard David*, Jim Manngard, Joe Castle Directed By ΓÇô Ritchie Blackmore Artwork ΓÇô Rpunktdesign.de* Design ΓÇô Carl And Pickett Productions Executive Producer ΓÇô Romper And Hopper Photography By [Photos] ΓÇô Jim Manngard, Michael Keel, Richard Michels Notes Gatefold sleeve with lyrics & credits. Γäù ┬⌐ 2008. Made under exclusive license, 2008 Steamhammer, a division of SPV GmbH. Barcode and Other Identifiers Barcode: 693723917818 Label Code: LC 09002 Rights Society: GEMA Vinyl: Mint Turntable: Micro Seiki DD-7 Cartridge: Sumiko Blue Point II (MC) Phone Stage: EELA AUDIO RIAA PRE-AMPLIFER EA 804 Digital Interface: E-MU 0404 USB Recording Software: Sound Forge 9.0

VA - National Lampoon's Vacation. Original Motion Picture Sound Track - 1983 Warner Bros. Records ΓÇô 9 23909-1, US Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by vinylhound Side 1 A1 - Lindsey Buckingham ΓÇô Holiday Road (2:11) Producer ΓÇô Richard Dashut / Producer, Written-By ΓÇô Lindsey Buckingham A2 - The Fleetwoods ΓÇô Mister Blue (2:24) Producer ΓÇô Bob Reisdorff / Written-By ΓÇô Dewayne Blackwell A3 - Ramones ΓÇô Blitzkrieg Bop (2:13) Producer ΓÇô Craig Leon / Written-By ΓÇô Ramones A4 - Ralph Burns ΓÇô Deep River Blues (4:24) Written-By ΓÇô Ralph Burns A5 - Nicolette Larson ΓÇô Summer Hearts (3:07) Producer ΓÇô Jay Gruska, Michael Ostin Side 2 B1 - June Pointer ΓÇô Little Boy Sweet (3:48) Producer ΓÇô Richard Perry / Written-By ΓÇô Franne Golde, Peter Ivers B2 - Ralph Burns ΓÇô The Trip (Theme From Vacation) (2:37) Written-By ΓÇô Ralph Burns B3 - Vanity 6 ΓÇô He's So Dull (2:31) Producer, Arranged By ΓÇô Vanity 6 / Written-By ΓÇô D. Dickerson*, Vanity B4 - Ralph Burns ΓÇô Christie's Song (3:02) Written-By ΓÇô Ralph Burns B5 - Lindsey Buckingham ΓÇô Dancin' Across The USA (3:09) Producer ΓÇô Richard Dashut / Producer, Written-By ΓÇô Lindsey Buckingham Credits Executive Producer ΓÇô Steve Wax Notes (P) 1982, 1983 Warner Bros. Records Inc., (P) 1976 Sire Records, (P) 1983 Planet Records, Made in U.S.A. (also available on cassette) Record label has catalog number 1-23909 Barcode and Other Identifiers Barcode: 0 7599-23909-1 Matrix / Runout (Side A): 1-23909-A SH1 B-18128-SH1 Matrix / Runout (Side B): 1-23909-B SH2 B-18129-SH2 National Lampoon's Vacation - Soundtrack - 1983 Warner Bros. Records - 1-23909 Ripping Info: Technics SL-1210MK2 Turntable Origin Live OL1 fully modified tone arm (Rega RB250) Audio-Technica AT33EV MC Cartridge Sonic Bliss Audiophile Turntable Mat Dennon AU-300LC Step Up Transformer Custom built, all tube phono stage Creative 0404 USB @ 24 bit / 192khz WaveLab 6.11 for recording software JBL LSR series studio monitors / subwoofer for playback listening iZotope RX Advanced 2.02 for any cleaning needed (all done manually) iZotope RX Advanced 2.02 for re-sampling to 24/96 & 16/44 Trader's Little Helper for SBE correction mp3tag 2.50 for tagging & re-naming files Adobe Photoshop for scans "VH"

AC/DC ΓÇÄ- Back In Black (1980) - 2003 Epic - E 80207, USA, Remastered, Reissue LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 A1 - Hells Bells (5:10} A2 - Shoot To Thrill (5:17) A3 - What Do You Do For Money Honey (3:36) A4 - Given The Dog A Bone (3:31) A5 - Let Me Put My Love Into You (4:12) Side 2 B1 - Back In Black (4:17) B2 - You Shook Me All Night Long (3:29) B3 - Have A Drink On Me (4:01) B4 - Shake A Leg (4:04) B5 - Rock And Roll Ain't Noise Pollution (4:12) Credits Bass ΓÇô Cliff Williams Drums ΓÇô Phil Rudd Lead Guitar ΓÇô Angus Young Rhythm Guitar ΓÇô Malcolm Young Vocals ΓÇô Brian Johnson Written-By ΓÇô Young, Johnson, Young* Engineer ΓÇô Tony Platt Engineer [Assistant] ΓÇô Benji Armbrister*, Jack Newber* Engineer [Mixing] ΓÇô Brad Samuelsohn Producer ΓÇô Robert John "Mutt" Lange* Remastered By ΓÇô George Marino Written-By ΓÇô Young*, Johnson*, Young* Notes 180 Gram Vinyl Pressing. Remastered from the original master tapes by George Marino at Sterling Sound Embossed artwork on sleeve. Originally released as Atlantic 16018 on July 25, 1980 Barcode and Other Identifiers Barcode: 6 9699-80207-1 9 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post- processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.

AC/DC ΓÇÄ- Let There Be Rock (1977) - 2003 Columbia ΓÇô 5107611, Germany, Reissue, Remastered LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 A1 - Go Down (5:30) A2 - Dog Eat Dog (3:34) A3 - Let There Be Rock (6:06) A4 - Bad Boy Boogie (4:26) Side 2 B1 - Problem Child (5:23) B2 - Overdose (6:07) B3 - Hell Ain't A Bad Place To Be (4:13) B4 - Whole Lotta Rosie (5:22) Credits Bass ΓÇô Mark Evans (3) Drums ΓÇô Phil Rudd Guitar ΓÇô Angus Young, Malcolm Young Vocals ΓÇô Bon Scott Engineer [Assistant] ΓÇô Barry Wolifson, Chris Muth Mastered By [Mastering Supervision] ΓÇô Al Quaglieri, Mike Fraser Mastered By [Remastering] ΓÇô George Marino Other [Additional Artifacts] ΓÇô Albert Productions, Arnaud Durieux Photography ΓÇô Bob Gruen/Starfile, Jonathan Postal, Photofest Producer ΓÇô Vanda & Young Written-By ΓÇô Young*, Scott*, Young* Notes 180-Gram Vinyl Reissue. Including inner sleeve with liner notes and photos. ┬⌐ 1977, 2003 J. Albert & Son (Pty.) Ltd. (p) 1977 J. Albert & Son (Pty.) Ltd. Distributed By Sony Music Entertainment. All tracks published by J. Albert & Son (USA) Inc. (ASCAP). Remastered from the original master tapes by George Marino at Sterling Sound. Barcode and Other Identifiers Barcode: 5099751076117 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.

AC/DC ΓÇÄ- Powerage (1978) - 2003 Sony / Epic, Columbia ΓÇô 5107621, Europe, Germany LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 01 - Rock 'n' Roll Damnation (03:36) 02 - Down Payment Blues (06:01) 03 - Gimme a Bullet (03:20) 04 - Riff Raff (05:11) Side 2 05 - Sin City (04:43) 06 - What's Next to the Moon (03:30) 07 - Gone Shootin' (05:03) 08 - Up to My Neck in You (04:12) 09 - Kicked in the Teeth (03:55) Credits Personnel Bon Scott ΓÇô lead vocals Angus Young ΓÇô lead guitar Malcolm Young ΓÇô rhythm guitar, backing vocals Cliff Williams ΓÇô bass, backing vocals Phil Rudd ΓÇô drums Production Producers: Harry Vanda, George Young Engineer: Mark Opitz Notes All songs written and composed by Angus Young, Malcolm Young and Bon Scott. Remastered, 2003 reissue, 180gram BIEM /GEMA Barcode and Other Identifiers Barcode: 5099751076216 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post- processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.

AC/DC - For Those About To Rock - 1981 Atlantic - ATL K 50 851, German 1st pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 A1 - For Those About To Rock (We Salute You) (5:44) A2 - Put The Finger On You (3:26) A3 - Let\'s Get It Up (3:54) A4 - Inject The Venom (3:31) A5 - Snowballed (3:23) Side 2 B1 - Evil Walks (4:24) B2 - C.O.D. (3:19) B3 - Breaking The Rules (4:23) B4 - Night Of The Long Knifes (3:26) B5 - Spellbound (4:30) Credits Personnel Brian Johnson – lead vocals Angus Young – lead guitar Malcolm Young – rhythm guitar, backing vocals Cliff Williams – bass guitar, backing vocals Phil Rudd – drums, percussion Engineer [Assistant] - Andy Rose, Mark Haliday*, Nigel Green Engineer [Mix] - Dave Thoener* Engineer [Recording] - Mark Dearnley Mastered By - Bob Ludwig Producer - Robert John "Mutt" Lange* Songwriter - Young*, Johnson*, Young* Notes From cover (back): ATL K 50 851 Tracklisting appears as follows: For Those About To Rock (We Salute You) Evil Walks C.O.D. Spellbound Put The Finger On You Let\'s Get It Up Inject The Venom Breaking The Rules Snowballed Night Of The Long Knifes Recorded on Mobile One at: H.I.S. Studio, Paris & at Family Studio, Paris. Mastered at: Masterdisk. Thanks to: Phil (Springfield) Carson & Atlantic Albert Productions ℗© 1981 Atlantic Recording Corporation, A Warner Communications Company. Belgique/Belgie: Distributed By Wea Records S.A./N.V. Deutchland: Vertrieb durch WEA Musik GmbH England: Distributed By WEA Records Ltd. France: Distribué par WEA/Filipacchi Music, Paris Italia: Distributed by WEA Italiana S.P.A. Nederland: Distributed By WEA Records B.V. Osterreich: Vertrieb durch WEA Music Ges.m.b.H Sverige: Distributed by WEA Metronome Records AB Manufactured in Germany by Record Service GmbH. Alsdorf. Pressé en Allemagne par Record Service GmbH. Alsdorf. Druckhaus Maack KG, Lüdenscheid From centre label: ATL 50 851 ℗ 1981 Leidesplein Presse B.V. Made in Germany by WEA Musik GmbH Barcode and Other Identifiers▼ Other (On Rear): (SD 19111) Other (Distribution Code): France: WE 361 Other (Label Code): LC 0121 Other (Rights Society): GEMA Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning TT Brocksieper Phonomax Laptop Wavelab 6.1 (24/192) manual click removal analyze (no clipping, no DC Bias offset) split into individual Tracks resampling and dither to 24/96 with iZotope RX Advanced FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.

AC/DC - The Razors Edge (1990) - 2003 Epic - E 80213 / AL 80213, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side A 01. "Thunderstruck" 4:52 02. "Fire Your Guns" 2:53 03. "Moneytalks" 3:45 04. "The Razors Edge" 4:22 05. "Mistress for Christmas" 3:59 06. "Rock Your Heart Out" 4:06 Side B 07. "Are You Ready" 4:10 08. "Got You by the Balls" 4:30 09. "Shot of Love" 3:56 10. "Let's Make It" 3:32 11. "Goodbye & Good Riddance to Bad Luck" 3:13 12. "If You Dare" 3:18 All songs written and composed by Angus Young and Malcolm Young. Personnel Brian Johnson ΓÇô lead vocals Angus Young ΓÇô lead guitar Malcolm Young ΓÇô rhythm guitar, backing vocals Cliff Williams ΓÇô bass, backing vocals Chris Slade ΓÇô drums, percussion Mastered by George Marino @ Sterling Sound, NYC Barcode and Other IdentifiersΓû╝ Barcode: 696998021310 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.

AC/DC ΓÇô High Voltage (1976) - 2003 Columbia ΓÇô 5107591, Germany LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 A1 ItΓÇÖs A Long Way To The Top (If You Wanna Rock ΓÇÿNΓÇÖ Roll) A2 Rock ΓÇÿNΓÇÖ Roll Singer A3 The Jack A4 Live Wire Side 2 B1 T.N.T. B2 Can I Sit Next To You Girl B3 Little Lover B4 SheΓÇÖs Got Balls B5 High Voltage Personnel Bon Scott ΓÇô lead vocals, bagpipes on "It's a Long Way to the Top" Angus Young ΓÇô lead guitar Malcolm Young ΓÇô rhythm guitar, backing vocals Mark Evans ΓÇô bass guitar, backing vocals Phil Rudd ΓÇô drums Production Producers: Vanda & Young for Albert Productions Recording Studio: Albert Studios, Sydney, Australia Cover photo: Michael Putland Technical Log Hannl "limited" Record Cleaning Machine with Rotating Brush TT: Bergmann Audio "Magne" (with air-bearing platter) Tonearm: Bergmann Magne (tangential/linear air-bearing tonearm) Cartridge: Ortofon MC A 90 Phono Amp: Nagra BPS (battery driven pre amp; 100 Ohm load) E-MU 0404 external USB 2.0 Audiointerface Interconnects by Silent Wire (NF-7) Wavelab 6.1 recording software (recording & manual click removal) iZotope RX Advanced 2.0 (resampling & audio restoration) Traders Little Helper (SBE fix on 16/44.1) Vacuum Cleaning > Bergmann Magne > Nagra BPS > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > resample to 24/96 (16/44.1) > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Ripping Note Excellent sound, excellent pressing.... Nothing more to say.

Alusa Fallax - Intorno Alla Mia Cattiva Educazione (1974) - 1984 King Record / Nexus - K25P 428, Original Japanese Pressing LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Side 1 01. Soliloquio (2:58) 02. Non Fatemi Caso (4:28) 03. Intorno Alla Mia Cattiva Educazione (4:13) 04. Fuori di me,Dentro di me (3:03) 05. Riflessioni Al Tramonto (3:04) 06. Il Peso Delle Tradizioni (1:40) 07. Carta Carbone (3:36) 08. Perchè Ho Venduto Il Mio Sangue (1:43) Side 2 09. Per Iniziare Una Vita (4:20) 10. E\' Oggi (3:05) 11. E\' Così Poco Quel Che Conosco (2:32) 12. Ciò Che Nasce Con Me8 (4:12) 13. Splendida sensazione (5:45) Musicians Augusto "Duty" Cirla (vocals, drums, recorder) Guido Gabet (guitar, vocals) Massimo Parretti (keyboards) Mario Cirla (flute, sax, French horn, vocals) Guido Cirla (bass, vocals) Notes▼ Official reissue of 1974 album on Fonit. Comes in a gatefold cover. Vinyl Ripping Process/Equipment Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II Opening with lively flute, drums and hand percussion, followed by staccato piano, fuzzy electric guitar and the unmistakable sounds of the Moog, it’s clear Alusa Fallax are yet another serious contender in the Italian progressive rock sweepstakes. A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side). The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics. Unfortunately the band had very little promotion and kept playing in the dance floor circuit until 1979, issuing a commercial single in 1977 under the name Blizzard.

[24/96] Eagles - Eagles - 1972, Vinyl Rip

[24/96] Emerson, Lake and Palmer - 1970, Vinyl Rip

[24/96] Billy Cobham - Spectrum - 1973, Vinyl Rip

[24/96] Free - Highway - 1970, Vinyl Rip

[24/96] Hard Stuff - Bulletproof - 1972, Bolex Dementia- 1973, V

[24/96] Journey &lrm;– Journey - 1975, Vinyl Rip

[24/96] Journey - Departure - 1980, Vinyl Rip

[24/96] Journey - Escape - 1981, Vinyl Rip

[24/96] Van Halen - Van Halen - 1978, Vinyl Rip

[24/96] Craaft &lrm;- Second Honeymoon - 1988, Vinyl Rip

[24/192] Zebra &lrm;– Zebra - 1983, Vinyl Rip

[24/96] Blackmore\'s Night &lrm;– Secret Voyage - 2008, Vin

[24/96] National Lampoon\'s Vacation. OST - 1983, Vinyl Rip

[24/96] AC/DC - Back In Black (1980) - 2003, Vinyl Rip

[24/96] AC/DC &lrm;- Let There Be Rock (1977) - 2003, Vinyl Rip

[24/96] AC/DC &lrm;- Powerage (1978) - 2003, Vinyl Rip

[24/96] AC/DC - For Those About To Rock - 1981, Vinyl Rip

[24/96] AC/DC - The Razors Edge (1990) - 2003, Vinyl Rip

[24/96] AC/DC - High Voltage - 1976, Vinyl Rip

[24/96] Alusa Fallax - Intorno Alla Mia Cattiva Educazione - 197